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вЂ¦В maybe none of them is applied to any of your objects: While you may have created 1.000+ materials inside your Material ManagerВ вЂ¦ Now to start, first letвЂ™s get a common misunderstanding out of the way: Digital Material and Mapping < Also, I donвЂ™t describe Luminance since this is a lighting issue. Also, no Alpha-mapping because this definitely belongs into an article on modeling. I will not cover TransparencyВ (this is pretty straight-forward) and Sub-Surface-Scattering (no average use-case). I will also talk about bitmaps and shaders. I will cover Diffuse, Reflection, Bump / Normal mapping and Displacement. Which again I utilize a lot вЂ“ which is stuff for another piece to write. Most important though, at least with C4D R20: It doesnвЂ™t play with C4DвЂ™s new GPU-based, fast ProRender. Why? Well вЂ“ first of all this is a massive subject worth an article on its own. Create Digital Material: But which one?Дisclaimer: In this article I wonвЂ™t talk about C4DвЂ™s new Material Node Editor.

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However, I thought it useful to write down some basic rules how to set up a material properly. And youвЂ™ll find tons of info about it вЂ“ not least in Cinema4DвЂ™s manual. Then again, basically all those digital material systems work the same way. And it allows to run many more 3rd-party renderers as plugins, among them Renderman, Arnold, VRayВ . Now think of it: Cinema4D itself has 3 built-in photorealistic renderers. In fact, each renderer has a system of its own, creatingВ lots of compatibilty issues that drive everyone crazy. One reason: There is no standardized material system in computer graphics today. Let me show you some fundamental Cinema4D features to create physically correct surfaces.Д¬reating a good texture may seem a confusing matter in the beginning. In Architectural Visualisation digital material makes all the difference.

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